Category Archives: Art

The Horatio Alger Myth

horatio_smA few weeks ago I was looking through old books at a rummage sale.  A sign on the wall read: “vintage books 50 cents”.  There were stacks of books that my grandparents or great grandparents might have read in their youth.  In that pile I found Horatio Alger’s 1890 book, Five Hundred Dollars.  While the narrative was rather plodding, I was fascinated by the now exotic view of our country where a hearty meal cost 25 cents and transit is by horse and carriage.  If I had not been aware of the myth, I might have come to the conclusion that the name Horatio Alger is synonymous with stilted predictable writing.  The myth of Horatio Alger, is well stated by Wikipedia, which says he writes about “impoverished boys and their rise from humble backgrounds to lives of middle-class security and comfort through hard work, determination, courage, and honesty”.  This myth runs deep in the American psyche.  I remember hearing it from my parents and grandparents, so I was prompted to pick up the book to discover how the Horatio Alger myth was formed.  The book did not live up to my expectations of the Horatio Alger myth and in my eyes it failed as a work of literature, as well as a source of moral instruction.

The Horatio Alger myth has a certain beauty to it as we imagine an underdog fighting his way to success.  As I read this book, I found that the story deviated from my understanding of the myth.  While the author takes pains to endow the protagonist with traits of hard work, honesty, and good character, his achievements were made possible by intervention by others.  There is a rich uncle in the story who plays the role of fairy godmother to a poor Cinderella boy.  Contrary to my understanding of the Horatio Alger myth this protagonist’s rise was was due to connections.

I did not expect much from the book as a work of literature and in that respect I was not disappointed.  The characters are rather one dimensional, the plot is predictable, and the dialogue is stiff.  This is a book of moral instruction and the author goes out of his way to draw characters in black and white.

As I contemplated this book as a tool for moral instruction, I began to wonder what values were being advocated to my grandfather as his young impressionable mind was soaking up this adventure.  The theme of avarice vs. generosity eclipses everything else.  In pursuing this theme, the author takes pains to document every penny spent in this book.  In the end, virtue is rewarded, monetarily, but the process of achieving this result seems to strip life of any joy aside from that which money can provide.  For example, the protagonist’s brief stage of career is praised for it’s high wages and short hours.  I was disappointed in the accountant’s view of reckoning, where every moral choice seems based in monetary reward.


As I contemplate the faults of this book, I wonder if it has any bearing today.  I fear that Tea Party nostalgia longs for Horatio Alger.  If this book were to become a template for our society, I would expect that many rich uncles would fail to play their part as fairy godmother.   Even if they did perform scattered attempts at charity, what will become of those poor boys who are not such shining example of virtue?

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Art from the crate

View Through Barn Windows, Acrylic on canvas, 30 x 22

View Through Barn Windows, Acrylic on canvas, 30 x 22

House at Night , 1992, 22 x 56 , acrylic on canvas

House at Night , 1992, 22 x 56 , acrylic on canvas

Green Cemetery , 1992, 48 x 36, acrylic on canvas

Green Cemetery , 1992, 48 x 36, acrylic on canvas

 

Stream and Bridge 1993, acrylic on canvas, 44 x 28

Stream and Bridge 1993, acrylic on canvas, 44 x 28

 

Apple Tree with Blue Sky , 1993, 36 x 24, acrylic on canvas

Apple Tree with Blue Sky , 1993, 36 x 24, acrylic on canvas

Night road in rain, 48 x 12, acrylic on canvas, 1992Night road in rain, 48 x 12, acrylic on canvas, 1992

Winter Stream , 1993, 44 x 26 , acrylic on canvas

Winter Stream , 1993, 44 x 26 , acrylic on canvas

 

Bascom Hill, 1992, 53 x 17, acrylic on canvas

Bascom Hill, 1992, 53 x 17, acrylic on canvas

 

Blue Valley Rd. , 1993, 32 x 36, acrylic on canvas

Blue Valley Rd. , 1993, 32 x 36, acrylic on canvas

 

Country Vista , 1992, 48 x 12, acrylic on canvas

Country Vista , 1992, 48 x 12, acrylic on canvas

Yellow Hallway , 1989, 36 x 48, acrylic on canvasYellow Hallway , 1989, 36 x 48, acrylic on canvas

Peony , 1993, 30 x 30, acrylic on canvas

Peony , 1993, 30 x 30, acrylic on canvas

Iron Bridge, 1991, 42 x 30, acrylic on canvas

Iron Bridge, 1991, 42 x 30, acrylic on canvas

Two paintings on the front and back of the same canvas Tree Silhouette, 1991, 48 x 31,  acrylic on canvas Turquoise Barn, 1993, 48 x31,  acrylic on canvas

Two paintings on the front and back of the same canvas
Tree Silhouette, 1991, 48 x 31, acrylic on canvas
Turquoise Barn, 1993, 48 x31, acrylic on canvas

Two paintings on the front and back of the same canvas Tree Silhouette, 1991, 48 x 31,  acrylic on canvas Turquoise Barn, 1993, 48 x31,  acrylic on canvas

Two paintings on the front and back of the same canvas
Tree Silhouette, 1991, 48 x 31, acrylic on canvas
Turquoise Barn, 1993, 48 x31, acrylic on canvas

Apple tree with purple trunk , 1993, 44 x 32, acrylic on canvas

Apple tree with purple trunk , 1993, 44 x 32, acrylic on canvas

Apples in Winter, 1993, 36 x 24, acrylic on canvas

Apples in Winter, 1993, 36 x 24, acrylic on canvas

Carnations in green vase , 1994, 40 x  36, acrylic on canvas. The painting was done in 1994, I made the vase in 1986

Carnations in green vase , 1994, 40 x 36, acrylic on canvas.
The painting was done in 1994, I made the vase in 1986

Night Grocery, 1991, 48 x 18, acrylic on canvas

Night Grocery, 1991, 48 x 18, acrylic on canvas

 

Road with sun and moon, 1992, 48 x 12, acrylic on canvas

Road with sun and moon, 1992, 48 x 12, acrylic on canvas

 

Stream bank, 48 x 12, 1993, acrylic on canvas

Stream bank, 48 x 12, 1993, acrylic on canvas

 

This painting was painted on the front and back of the canvas.  I used to do that when money was tight. Snowy Tree, 1993, 48 x 22, acrylic on canvas State St., 1991, 48 x 22, acrylic on canvas

This painting was painted on the front and back of the canvas. I used to do that when money was tight.
Snowy Tree, 1993, 48 x 22, acrylic on canvas
State St., 1991, 48 x 22, acrylic on canvas

 

This painting was painted on the front and back of the canvas.  I used to do that when money was tight. Snowy Tree, 1993, 48 x 22, acrylic on canvas State St., 1991, 48 x 22, acrylic on canvas

This painting was painted on the front and back of the canvas. I used to do that when money was tight.
Snowy Tree, 1993, 48 x 22, acrylic on canvas
State St., 1991, 48 x 22, acrylic on canvas

 

Zentner's Barns, 48 x 20, 1993, acrylic on canvas

Zentner’s Barns, 48 x 20, 1993, acrylic on canvas

 

Jerry's Tractor, 56 x 28 1992, Acrylic on canvas

Jerry’s Tractor, 56 x 28 1992, Acrylic on canvas

Crab Apple, 60 x 26, 1993, acrylic on canvasCrab Apple, 60 x 26, 1993, acrylic on canvas

 

Kalamazoo lamp post , 31 x 13

Kalamazoo lamp post , 31 x 13, 1985

 

Country Vista 48 x 12, 1992, acrylic on canvas with oak frame.

Country Vista 48 x 12, 1992, acrylic on canvas with oak frame.

Winter View, Acrylic on canvas, 17 x 27, 1988Winter View, Acrylic on canvas, 17 x 27, 1988

 

The other day I photographed paintings from a crate I had stashed away 20 years ago.  Here is some of what I found.

Deteriorating Barn, acrylic on canvas 36 x 22

Deteriorating Barn, acrylic on canvas 36 x 22

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A show worth viewing: Elizabeth Palay

Palay

Horizons , 2013 Oil on Canvas, 12″ x 48″ by Elizabeth Palay

This afternoon I took a long postponed trip to visit an art exhibition of Madison artist Elizabeth Palay.    I was glad I went.   Palay paints vibrant abstract paintings which drew me.  Since the show is a retrospective of work spanning decades from the 1970’s to the present, it made me wonder why I had never encountered her work before

The striking aspect of her work is the way she sets colors next to one another.   In many of her pieces there is active movement across the entire surface, but the result is not unbroken uniformity.   Instead there are often subtle variations that move the eyes across the image.   I had many favorites, but I especially liked some of the horizontal works near the second floor entry.  Palay’s is distributed on the first two floors of a medical building at 800 University Bay Dr.  The show is open Mondays – Friday 9am – 6pm.     If there was one disappointment it would be my desire to see more clearly the works that suffered unflattering light.  Palay’s work can also be seen at www.elizabethpalay.com

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